16×20-inch on stretched canvas
This painting began as a single pour; a moment of instinct that didn’t quite land. So I tried something new: using hot glue to divide the canvas and pour again, reshaping what felt unfinished. The right side came later, a second surge of color and intent, sealed with silver gilding that traces the boundary like molten tectonic plates.
Under normal light, the piece feels geological. Copper, teal, and rust colliding in motion. Under UV, it transforms completely: the silver glows, the edges ignite, and the whole surface becomes a radiant field of renewal.
Reconstitution is about rebuilding what you thought was done — finding beauty in revision, and letting the act of trying again become its own kind of creation.
16×20-inch on stretched canvas
This painting began as a single pour; a moment of instinct that didn’t quite land. So I tried something new: using hot glue to divide the canvas and pour again, reshaping what felt unfinished. The right side came later, a second surge of color and intent, sealed with silver gilding that traces the boundary like molten tectonic plates.
Under normal light, the piece feels geological. Copper, teal, and rust colliding in motion. Under UV, it transforms completely: the silver glows, the edges ignite, and the whole surface becomes a radiant field of renewal.
Reconstitution is about rebuilding what you thought was done — finding beauty in revision, and letting the act of trying again become its own kind of creation.